Originally from New Jersey, Bill Sabo is a St. Augustine native who has been a self-branded acoustic musician for over 30 years now. From rock and roll, to folk and Americana, Bill blends his own self into his songs, becoming part of each one in a very emotional way. A former teacher at The Florida School for the Deaf and Blind for over 20 years, Bill Sabo not only lays out his heartstrings before audiences in performances, but also gives back to his community in unmatched dedication and love. He is one of the founding members of The C.R.S.

St. Augustine's Ace Winn is an impeccable example of a bona fide musical performer. Sharpening his abilities in the passionate areas in which he shines brightest, Ace has quickly become a reputable part of the St. Augustine music scene. His sound ranges from soul, jazz, funk, and rhythm and blues to pop, makes his audience feel right at home and brings to light the ways in which we are connected and the ever-growing need for a real, raw interpretation of perception in the modern era.

Rotagilla is alligator spelled backwards. After decades of performing under that name, the band became Rotageezer in 2002, a wry acknowledgement  in the face of aging like a fine wine. Originally comprised of members Bill Sabo, Mike Cunningham, Gene Eberhardy, Ed Wilson, and Butch Malone, Rotagilla won Florida's Top Rock Search in the late '70s as a comedy jug band. They even appeared on The Midnight Special.

Don Cooper, who prefers to be called "Cooper," performs frequently in St. Augustine both as a solo act and in various groups such as the Thick and Thin String Band. 

If audiences set out on a quest looking for a sound they've never heard before, they would be delighted to stumble across St. Augustine's Bedsweater, an all-female trio that is turning heads and hearts throughout the Ancient City. With their mix of ethereal and electric-driven sound, Bedsweater takes to the stage with a punk-rock attitude, blooming into an ensemble that can tug at the heart strings while at the same time exuding a level of confidence and comfortability that seems to come naturally to each member of the group.

St. Augustine, Florida's Dust Fuss is a trio of unexplainable phenomena, working outside the boundaries of musical norms and pushing the envelope of their live performance capabilities to the max. The name Dust Fuss was born from a conversation about band names, when the trio was attempting to define their overall sound and the word "dusty" was mentioned along with "western" and "desert." Thus, the name Dust Fuss, a clever take on an articulation of the band's overall vibe and sound.

It doesn't take audiences long to notice that St. Augustine's punk rock ensemble 86 Hope is as real as it gets. With a combined force of alternative up-tempo rhythm, a punk rock stage presence, precisely executed guitar techniques, and spot-on vocal harmonies, 86 Hope fires on all cylinders. The band sweats passion from their pores, laying their bleeding hearts before the crowd, making their stage presence one of ever-shifting dynamics and emotional realness. Their sound is like a quickened heartbeat; it always causes the body to move.

An energetic ensemble, Flood Reactor is an intense musical duo that sheds light on human existence, existentialism, and matters of the heart. Drawing from many genres, Flood Reactor takes an uncommon approach. It blends acoustic traveling music with track punk, alternative outlaw folk, and backwoods punk to form distinct, original tones that are unique to the ensemble.

It's easy to see why audiences are fascinated with St. Augustine's Ema Chiswell. A crystal-clear bottom-line artist, Chiswell shows her truest self in her original sound; soul and all. An ethereal blend of electronic, pop, rock, folk, alternative, and experimental genres, Chiswell pulls from influences of all kinds, but holds musical idols St. Vincent and Madeline Adams in the highest regard for their musical styling as well as their lyrical bodies of work.

A southern grown soul, St. Augustine's Terri Gamble is a fresh take on southern comfort sound, threading the needle between the hard-hitting rock and roll and old-time country genres she's loved all of her life. Her sound comes with a heavy dose of southern charm and a side of hundred-year-old tangled oaks shaking in the Florida winds. A queen of her dominion, Gamble explores her musical territory daily, breaking the mold of your usual alternative country musician.